View credits, reviews, tracks and shop for the 1996 CD release of Endtroducing. Jun 9, 2005 - Ask the NoCal turntable nerds, the trip-hoppers, the frat boys, the hippies or the ravers stoned on the beach at sunrise: Endtroducing.

Email This Story Send email to this address Enter Your Name Add a comment here Verification Send Email Cancel In September 1996, Joshua Davis — better known as DJ Shadow — released one of the most influential hip-hop albums of all time. “Endtroducing” is an instrumental album composed almost entirely of. Programma dlya obnuleniya kartridzhej hp 122 laptop.

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DJ Shadow searched through thousands of vinyl records at the Sacramento music shop Rare Records to find his samples. While other instrumental hip-hop albums are filled with song fragments, all of the songs on “Endtroducing” are full of musical arrangements. Shadow made the album essentially by himself, an impressive feat audible from the opening tracks onward. One of the first tracks, “Building Steam With a Grain of Salt,” is dramatic, a great tone-setter for the album. Twinkling pianos and rock guitars build throughout the song and vocal samples echo in the space Shadow builds around the track.

The album is loop-based and heavily repetitive to aid its trance-like atmosphere, but it still remains unpredictable on tracks like “Mutual Slump” and “Napalm Brain/Scatter Brain.” The record’s psychedelic long-form tracks lure you into an abstract daze, with melodic tunes like “Stem/Long Stem.” Shadow’s style was a forerunner of the modern trend of long-form instrumental beats that are made for relaxation. Videos like these get millions of views on YouTube. “Midnight In a Perfect World” manages to create a moody and melancholy atmosphere with almost no lyrics, contrasted by the booming tremolo drums on “Changeling (Transmission 1).” “Endtroducing” was clearly made out of a love for music. Shadow’s admiration for the forgotten artists he’s sampled is on full display. Along with albums like Beastie Boy’s “Paul’s Boutique” and J Dilla’s “Donuts,” “Endtroducing” defines sample-based music.

According to an interview with, Shadow is grateful for the effect the album has had on culture. “Being a student of music and reading about other artists and their aspirations,” Shadow said. “I know how difficult it is to connect in a meaningful way and have a record that endures.” Since his debut, Shadow has collaborated with artists ranging from Thom Yorke to Q-Tip, but he has never topped his first production.

The acknowledges the album as the first album made completely from samples. There has not been an album like “Endtroducing” since it was released. Creative sampling is a forgotten art form, and Shadow’s commitment to his art has not been matched by a hip-hop artist since.

“Endtroducing” unites rock, funk, jazz, and hip-hop to make an album that, while it may seem like a niche, can appeal to almost anyone. The featured image is from.

As a suburban California kid, tended to treat hip-hop as a musical innovation, not as an explicit social protest, which goes a long way toward explaining why his debut album,, sounded like nothing else at the time of its release. Using hip-hop, not only its rhythms but its cut-and-paste techniques, as a foundation, created a deep, endlessly intriguing world on, one where there are no musical genres, only shifting sonic textures and styles. Created the entire album from samples, almost all pulled from obscure, forgotten vinyl, and the effect is that of a hazy, half-familiar dream -- parts of the record sound familiar, yet it's clear that it only suggests music you've heard before, and that the multi-layered samples and genres create something new. And that's one of the keys to the success of: it's innovative, but it builds on a solid historical foundation, giving it a rich, multifaceted sound. It's not only a major breakthrough for hip-hop and electronica, but for pop music.