Can were perhaps the original or quintessential 'Krautrock' band. Formed in Cologne in the late 60s by Irmin Schmidt and Holger Czukay they created some of the most original music ever committed to record over a decade between 1968 and 1979. Operating independently to the regular pop and rock fashions of the time Can's largely improvised music incorporated elements of rock, funk, jazz, modern classical and the avant-garde. Being both ahead of their time and timeless their music still sounds fresh and current today and is often cited as having been influential upon artists such as Radiohead, Stone Roses, Primal Scream, PIL, The Fall, Joy Division, David Bowie and Brian Eno. Excluding the 1989 reunion album Rite Time, which brought the band full circle with the return of original vocalist Malcolm Mooney a decade after their original disbandment, their output, ever changing and rarely standing still, can be divided into four periods: The original Mooney inception (68-70), the much celebrated 'Damo [Suzuki] Trilogy' (71-73), the 4 piece without a dedicated vocalist (74-76), and the world music band with Rosco Gee and Reebop Kwah from Traffic (76-79). Officially Can recorded eleven studio albums, but few Can fans would choose not to count Soundtracks or Delay 1968 as 'proper' Can albums even though in the latter case for example the actual release date was not until 1981. Inevitably various compilations and live recordings have surfaced in recent years in addition to solo projects.

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I agonised over whether to include just the official studio albums in this listing, or to at least separate out the solo or compilation efforts, but in the end included some of the most coherent 'additional' albums in the one listing in order to assess them in the overall context of what's available. Give the drummer some, Jaki Liebezeit on stage with Damo Suzuki. Jaki Liebezeit For a band that created many of their album tracks from edits of extended improvised jams (some that reportedly went on for hours!) it is not surprising that a lot of tape exists in the vaults. Some of this was collected together under the stewardship of keyboardist Irmin Schmidt on the triple CD The Lost Tapes released in 2012.

Obviously the tapes weren't really lost, but were left in the cupboards of the studio archives for so long everybody just forgot about them. Everybody except [my wife] who watches over Can and its work like the dragon over the gold of the Nibelungen* and doesn't allow forgetting. Schmidt has stated that the Lost Tapes wraps everything up from the Can archives and there won't be rafts of further inferior releases. There have also been several live CDs released in recent years including the Peel Sessions and Live 1971-77 which I have included below being official releases as opposed to bootlegs. Many tracks from these extra albums contain elements of already released album tracks - Can's improvisational jams, whether in the studio or live, would often veer off into versions of existing songs meaning there is quite a lot of overlap amongst the extra albums. Early Can with Malcolm Mooney right Compilations include the three part Cannabalism series.

Apart from the solo edition (no. 3) the other two are mostly collected more conveniently on the 25 Years Anthology double CD. Anthologies for most bands I find are best avoided if possible. As Can were very much an albums band many of their long tracks suffer from edits. However this 1993 release is a good value way to hear some late period Can and also contains a fair range of unreleased tracks from the Limited and Unlimited Edition 'outtake' albums. And finally last year saw the release of a 23 track Singles Compilation! I wasn't even aware Can had released any singles.

I'm suspicious when side long album behemoths are reduced to 3 and half minute 'edits' but by all accounts it's a pretty good record and no doubt could serve as an excellent introduction. However I think as the closest Can have to a Greatest Hits album it doesn't really qualify for this ranking.