• (executive) • chronology B-Sides (2001) (2002) B-Sides, also known as Let Go: B-Sides, is a by Canadian singer-songwriter. It was published before debut album by in 2002.

Avril Lavigne. Biography by Andrew Leahey. The Joan Jett of 2000s teen pop, who dominated the charts with an edgy, punk-inspired image. Jun 26, 2008 - The albums called 'let go' not Let's go' and if you give me your email address i can send it 2 you or you can just download it by using a torrent.

The compilation contains demo and original tracks not included in the final Let Go release. The songs were written and produced in 2001 under the management of in by, the production team and songwriter Cliff Magness after sent her to CEO of in the attempt to fit her image and attitude with her voice.: 165 Though Lavigne would release Let Go through Arista, she continued with Nettwerk for her management. Different versions [ ] • The demo 'I Don't Give' is an explicit version, while the clean version is on Lavigne's single '. In the explicit version, she sings 'I don't give a damn; I don't give a shit'. In the clean version, she sings 'I don't give it up; I don't give a damn'. • There are two versions of the song 'Get Over It'.

In the version on B-Sides, Lavigne sings 'Don't turn around, or you will get punched in the face'. In the version on the ' single, Lavigne sings 'Don't turn around, I'm sick and I'm tired of your face'. • Lavigne recorded two different songs called 'Take Me Away': one on this album, and the other on (2004). • 'Falling Into History' was covered by in 2005. Track listing [ ] All tracks produced.

Title Writer(s) Length 1. 'I Don't Give' (demo version).

• ' Released: May 14, 2002 • ' Released: August 27, 2002 • ' Released: November 19, 2002 • ' Released: April 1, 2003 Let Go is the debut studio album by Canadian singer-songwriter. It was released on June 4, 2002,. For a year after signing a record deal with Arista, Lavigne struggled due to conflicts in musical direction. She relocated to Los Angeles, where she recorded her earlier materials for the album; the kind of sound to which the label was not amenable. She was paired to the production team, who understood her vision for the album. The album was credited as the biggest pop debut of 2002, and was certified seven-times Platinum in the United States.

It was released to generally positive reviews, although Lavigne's songwriting received some criticism. It also did extremely well in Canada, receiving a from the, as well as reaching multi-platinum in many countries around the world, including the UK in which she became the youngest female solo artist to have a number-one album in the region. As of 2011, Let Go had sold over 16 million copies worldwide, becoming Lavigne's highest-selling album to date. According to, the album was the 21st best-selling album of the decade. A readers poll named Let Go the fourth best album of the 2000s.

The album is considered as one of the albums that changed the music scene, because it helped to bring pop punk music into the mainstream, contributing to the rise of female fronted pop punk bands and female-driven punk-influenced pop music. On 18 March 2013, Let Go was re-released as a paired with her second studio album,, which is released under. The album was further promoted by the between December 2002 and June 2003. Contents • • • • • • • • • • • • • • • • • • • • Background [ ] Lavigne relocated to Los Angeles, where she collaborated with songwriter and producer, who gave her ample creative control in the writing process. Lavigne and Magness wrote ' and 'Unwanted', songs that she deemed reflective of her vision for the entire album. However, Arista was not thrilled with the heavy-guitar laden songs that Lavigne was writing, prompting the label to look for other producers to match their demands.

Now two years since she signed the deal, Lavigne, who was then unknown, came to the attention of the three-piece production team. Eyebeam license key generator key. Arista could not find the right direction for Lavigne, so the team's manager, Sandy Roberton, suggested that they work together: 'Why don't you put her together with The Matrix for a couple of days?' According to member, they had been listening to Lavigne's early songs and felt they contained 'a kind of vibe'. As soon as they saw Lavigne coming into their studio, The Matrix felt that her musical direction was incongruous to her image and attitude. After talking to Lavigne for an hour, 'we cottoned on that she wasn't happy but couldn't quite figure out where to go'. The Matrix played her songs with Faith Hill influences, because it was those kind of songs the label wanted Lavigne to sing. But Lavigne dismissed it, saying she wanted songs with inclinations.